You can manually adjust hinting for an individual glyph, or you can apply automatic hinting to an entire font. You can also adjust kerning manually or use the automatic settings to do it for you. Glyph metrics are edited in a separate window in a what-you-see-is-what-you-get display, making the process much simpler than if you had to manually type in values. You can make edits to individual glyphs, entire fonts or to a font’s family or style name, giving you complete control over your fonts.
#Typetool kerning professional
“TypeTool’s strong font design feature set and outstanding conversion and editing functions, coupled with its relative ease of use, make this font creator a great choice for intermediate and professional use.” Drawing tools, vector paint tools and transformation functions are all displayed in moveable panels.
#Typetool kerning mac
Mac version also opens Mac Type 1 (FFIL/LWFN/.suit) and Mac TrueType (FFIL/.dfont). Generates/ExportsWin Type 1 (.pfb), ASCII/Unix Type 1 (.pfa), TrueType / OpenType TT (.ttf), OpenType PS (.otf), EPS, BMP, TIFF, FontLab 3.x, FontLab 4.x, FontLab Studio 5 (.vfb).
Mac version also generates Mac Type 1 (FFIL/LWFN/.suit) and Mac TrueType (FFIL/.dfont). Note Editing of advanced typographic OpenType Layout features is not possible. Tools/operations Drawing, Erase, Rotate, Skew, Zoom, Insert Node, Remove Overlap, Merge Contours, Intersect Contours, Break/Join Contour, Snap to Guides, Meter, Autohint, Remove hints, Decompose, Knife, Magic wand select, Add corner, Add curve, Add tangent, Brush, Pen, Line, Text, Rectangle, Ellipse, Action (8 filters), Undo (200 levels).Windows Glyph Window, Font Window, Font Info Dialog, Metrics/Kerning Window, Font Map, context sensitive popup menus and property windows.Printouts Font Table, Font Sample, Glyph Sample.A simple, zero-dependency library for working with types.Encoding 40 built-in encodings (Adobe, Microsoft, Apple, ISO) 150+ built-in codepages (Adobe, Microsoft, Apple, ISO, IBM, OS/2) including 2-byte Chinese, Japanese and Korean.
0 kommentar(er)
